"The Witch Burnt Alive"
　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
　　"Community Spirit"
　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
　　"The Earth Seen from the Moon"
　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
　　"The Sicilian"
　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
　　"A Night Like Any Other"
　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

“女巫被活活烧死了”

在一个很长，但视觉上引人注目的动画开场白序列，卢基诺维斯康蒂（死亡在威尼斯）导演的第一个故事，这是最长的五个，采取了约三分之一的电影运行长度。曼加诺扮演一个超级明星演员和模特，她去了一个山区度假胜地，却发现富裕的居民对她有偏见和先入为主的观念，基于她的公众形象。女人都嫉妒，男人都想和她上床，但曼加诺只想一个人呆着。这是一个大多是阴沉的讽刺作品，但就故事而言，它在它的谦虚的想法有点长，变得无关紧要，除了那些对成名的现实着迷。

“社区精神”

博洛尼尼的作品并不是真正的故事。这更像是一个视觉噱头，在一个简短的片段中，曼加诺提出带一名受伤的男子去医院，以极快的速度驾驶他在整个城市，但不停在他可能找到援助的地方。我不想在这里说废话，但它确实很有趣，即使是第一次说出来才有趣的东西。

“从月球看地球”

尊敬的作家/导演皮尔·保罗·帕索里尼（Pier Paolo Pasolini，Salo）创作了中间部分，这是五个作品中最具艺术性和纪念性的一个。让人想起《堂吉诃德》，一对新近丧偶的父子周游全国寻找新的妻子和母亲，在很长一段时间后，他们发现了这个几乎无语的曼加诺。她给他们的生活带来欢乐，但他们很穷，为了给自己找一个更好的生活，他们编造了一个计划，试图赚些快钱。这个故事是精心设计的，并不完全有趣，但古怪的表演、艺术品和服装确实唤起了巨大的魅力和可爱。虽然是哑巴，但这可能是曼加诺五场表演中最吸引人的一场，托托也很棒。

“西西里人”

弗朗哥·罗西导演的第四部作品是一部短小精悍的作品，一个直截了当的复仇故事，在它有机会变得有趣之前就来去匆匆。这很暴力，但很容易是五个故事中最不令人满意的。

“像其他任何夜晚一样的夜晚”

伊斯特伍德的出现显然是这里最大的吸引力，这是在塞尔吉奥-利昂“美元”三部曲之间拍摄的。这是一个愉快的离开他的正常角色，扮演一个喜剧浪漫的领导，他是和蔼可亲的乐趣看。意大利著名导演维托里奥·德·西卡（Vittorio de Sica）（自行车贼，翁贝托·D.）对这个故事做了出色的处理，以一种视觉上令人满意的方式完美地融合了世俗和幻想。这个故事讲的是一个无聊的家庭主妇（当然是曼加诺），她试图让丈夫意识到他不再像以前那么浪漫，但徒劳。场景中穿插着围绕这对夫妇过去的浪漫插曲展开的喜剧浪漫情节，以及他们应该如何生活的梦想。

《女巫》共由 3 家资源方提供点播资源，最后更新于2023-03-16 21:26:11，截止目前已收获°C的关注热度。喜欢好鸭TV就请多多分享哦，好鸭TV，看片追剧无压力~